I have been stumped over the past three weeks as to how to portray choppy water of a river. I finally decided to base the sign on shallow scrolls and bringing any brush strokes out in the rhythm those scrolls: I did capture the energy of the water; but the result was so far out of my normal painting that I questioned its “truth” or even whether it worked: in my view, it looked too much as though it was made for comics. I had a trusted friend – who is an artist and a theater set builder – come over to look at it yesterday: the glyph did capture the energy; but it was like a comic book rendering; and it failed in terms of regression into space.
This morning, with my failed attempt in the back of my mind, I came across on Facebook a link to the Metropolitan Museum of Art collection of Vincent Van Gogh. I followed the link to the collection’s online catalog and selected Van Gogh’s Wheat Field with Cypresses.
What am I looking at? Van Gogh’s successful attempt at capturing energy in his brushstrokes and painting. He understood that the brushstroke carries the intent of the focused artist: One can perceive the wind blowing through over the wheat field, not just because he bent the image of the wheat, but because he held the form of the wind energy and the resistance of the wheat stalks in his mind as he put down the strokes. The same can be said of the tree in middle of the field. The strokes of cypresses convey their living energy. One can go through the entire painting perceiving his recording of the energy or vitality he perceived.
One has to stay on focus to be able to do this sort of painting: this is proof that he did not paint in a frenzy; rather, he painted slowly, as his pigment laden stroke reveals; and he painted each stroke meticulously as he conscientiously recreated the energy in each stroke.